Thursday, February 21, 2019

Florence kelleys speech on child labor Essay

In Florence Kelleys speech to the National American Woman vote Association, she connects with her listening and encourages them to fight for the complete of nipper ride by demonstrate how horrifying it authentically it is. Through bringing up the horrors of electric shaver comminute, she implies that women fill the right to vote, as they would abolish peasant labor. By harmonic to pathos, utilize imagery, and applying repetition, Kelley successfully moves the interview to agree that child labor is wrong.Through appealing to pathos, Kelley connects with the listenings conscience by showing how barbaric child labor and pushes her reference to desire the end of child labor. By stating that children in age from six and seven years and eight, nine, and ten years, behave to provide for their families and themselves, Kelley strikes a chord in the listeners hearts and shows how this system takes vantage of young kids. This shows the monstrosity that is child labor as they atomic number 18 so young. As she writes that boys and girls, after their 14th birthday, enjoy the pitiful privilege of functional all night long, Kelley shows that pissing all night is analogous forcing children into slavery. With the oxymoron pitiful privilege, she shows ironic it is that when a child has an important birthday, they atomic number 18 jokingly rewarded with longer treat hours. Kelley connects with the audiences emotions as she shows how unjust it is to make children work as hard and as long as adults do. By describing the children as little beasts of burden, robbed of school life that they may work for us, Kelley makes the audience feel guilty for allowing child labor to be a car park occurrence within America. By utilizing pathos, Kelley connects with her audience through proving how horrendous child labor is and calls them to action to rid America of it.Kelley also uses imagery to convince the audience that child labor is horrendous and should come to an end by vividly describing the working conditions that the child laborers go through and how young these workers truly are. She describes the children as, just tall enough to reach the bobbins, which brings to the audiences top dog an image of an innocent girl forced into working at such(prenominal) a young age. As she describes the harsh factory working conditions the children face, she points out, the earsplitting noise of spindles and the looms spinning. By using such descriptive imagery, Kelley transports the audience to the rooms where little children are suffering and working. Through placing these unforgettable images in her audiences mind, she causes them to realize the unfairness and horror of child labor which they will never be able to forget.A nonher rhetorical guile Kelley uses to convince her audience that child labor is a monstrosity is a repetition of certain phrases. Through repetition, Kelley pushes her words and facts into her audiences take leaving them no room t o deny the unfairness of child labor. passim her speech, Kelley repeatedly starts paragraphs with, in (certain state). By doing this, she is able to state facts on child labor laws in certain states showing that though there are laws on child labor, they are still extremely unreasonable and unfair. This shows the audience that child labor is very real and though they do not witness it, these kids make their items of comfort. She also repeatsthe phrase while we sleep. This repetition highlights that children work through the night, but more importantly, it implies that this occurs while everyone else is relaxing and dormancy soundly in their beds. By showing that children are forced to work extremely hard, the audience is left horrified. By utilizing repetition, Kelley successfully imprints the facts of child labor and its unfairness in the listeners mind.In Kelleys speech, she appeals to the audiences conscience and emotions, paints vivid imagery, and uses repetition to call others to fight to end child labor as it is a horrendous occurrence.

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